Wednesday, April 29, 2009

PRS Mark Tremonti Signature


i put his guitar series here cause he is one of my favourite modern rock player!!
enjoy it:

Mark Tremonti is considered to be one of rock’s leading guitarists. As the guitarist of Alter Bridge and formerly of Creed, he has met extraordinary success and continues to grow as both a guitar player and songwriter. While Creed was on tour in support of their first record, My Own Prison, Mark was contacted by PRS and asked if he would like to try one of their guitars.

"I jumped at the idea to play one of PRS’ guitars. PRS was one of those guitars that I could never afford in high school or college and had always wanted to play one." PRS sent Mark a McCarty model which he instantly fell in love with. He played that guitar exclusively for a while, but ultimately wanted a guitar that was more suited to his playing style.

Mark Tremonti began to collaborate with PRS on his dream guitar that would soon become the Mark Tremonti Signature Model. He needed pickups that were a little more aggressive and could complement his rhythm playing which contains a lot of palm muting. The neck of the guitar needed to accommodate his style, influenced by thrash metal, shred, and traditional blues. PRS met these needs with the Tremonti wide-thin neck carve.

Mark Tremonti Signature Model Specs
Back Wood :Thick Mahogany
Top Wood :Maple
Top Wood Options :10 Top Flame or 10 Top Quilt

Number of Frets :22
Scale Length :25"
Neck Wood :Mahogany
Fretboard Wood :Rosewood
Neck Shape :Tremonti Wide Thin Inlays Mother of Pearl Birds

Bridge : Tremolo with Trem-Up Routing
Tuners : PRS 14:1 Phase II low mass locking tuners
Truss Rod Cover : Tremonti
Hardware Type : Nickel
Treble Pickup : Tremonti Treble
Bass Pickup :Tremonti Bass (Covered)
Pickup Switching :Volume and Tone Control for Each Pickup and 3-Way Toggle Pickup Selector On Upper Bout

information has taken from official prs website

Korn “Escape From the Studio” as Tour Begins in Arizona


Photo: Arnold/WireImage
The normally serene spring home of baseball’s Arizona Diamondbacks was transformed into a mass of pogoing teens on Saturday, April 25th, as Korn kicked off their Escape From the Studio tour, their first trek in nearly a year, at Tucson Electric Park. The 70-minute show focused on fan favorites and eschewed some of the more obvious choices. Funky interludes allowed Korn to step back a handful of times during the 14-song show, and stripped-down production gave the band the opportunity to spotlight the music. Save for singer Jonathan Davis’ H.R. Giger microphone stand and a Korn backdrop, the stage set-up was nearly bare.

But there was nothing simple about the music. Sounds of a gothic church choir greeted the crowd as members of Korn — kilt-wearing Davis, guitarist James “Munky” Shaffer and bassist Reggie “Fieldy” Arvizu, as well as touring musicians — took the stage. With a dose of heavy beats the band ripped straight into “Right Now” as the wind whipped the sound around the stadium. A sea of hands reached for Davis and the rest of the crew during “Fake” and the growly, groove-heavy “Did My Time.” The monosyllabic grind of “Coming Undone” led nicely into a sample of Queen’s “We Will Rock You.”

Halfway through the set Davis marched out from backstage with a set of bagpipes and teased the crowd with a few notes of “Shoots and Ladders,” before setting them aside for the frenetic “Helmet in the Bush.” He left most of his communication with the audience to the music until “Here to Stay,” deep in the set, after which he said, “I’m feeling the motherfucking Korn love tonight, Tucson.” He recruited the audience to respond “faget” [sic] during the song of the same name in response to his yells of, “What the fuck am I?” And he didn’t let up during the encore, where he turned the exaggerated beats of “Somebody Someone” into another excuse to the crowd to grab out to him, causing the massive mosh pit in the outfield to sway back and forth.

Set list:

“Right Now”
“Did My Time”
“Falling Away From Me”
“Coming Undone/We Will Rock You”
“Shoots and Ladders” (on bagpipes only)
“Helmet in the Bush”
“Here to Stay”
“Freak on a Leash”
“Make Me Bad”

“Somebody Someone”
“Got the Life”

by: Christina Fuoco-Karasinski

Slayer in the Studio: Loud, Fast and Ready to Thrash


Some things can be counted on at a Slayer recording session. "Can I interest you in something fast and aggressive?" asks producer Greg Fidelman. He's sitting beside guitarist Kerry King at the Pass Studios in Los Angeles, where Slayer are working on a still-untitled album planned for a summer release, and cues up a new metal track with the working title "Build Up." King is ready to thrash.

He's already tapped the Jägermeister machine upstairs, and is now bent over a custom camouflage guitar, his black combat boots on the hardwood floor in the studio control room. King is plugged simultaneously into four amps, each one given a name: The Beast, Hot Ticket Deux, BLS and GF11. Fidelman rolls "Build Up," and King begins overdubbing bits and pieces of intricate metal melody and a harsh, aggressive riff, his eyes closed, nodding to the intense recorded beats of drummer Dave Lombardo. King's strumming hand is a blur, like a wasp in flight.

"Man, I don't even remember it being that fast," King says with a laugh after one take. "We're fucking flying!" more

DW Collector's Series X Shell kit


Collector's Series X Shell kit
specification :
Any DW Collector's Series finish
Drum Shell Material:
North American hard rock maple
Floor Tom Size:
14"x12" (£748) and 16"x14" (£913)
Kick Size:
23"x18" (£1493)
Snare Size:
14"x6" (£573)
Tom Size:
8"x7" (£543 ), 10"x8" (£584) and 12"x9" (£641) / Rata drums: 6"x18" and 6"x12" (both £552)

Drum Workshop began life as a hardware company (a fact reflected in its class-leading stands and pedals) and expanded into drum manufacture in the late 1980s. Since then it's progressively strengthened the brand, earning a reputation for constantly evolving designs. DW's newest drums – dubbed X Shells – represent a departure from the accepted norms of drum construction. The clue's in the name people…

If you're familiar with existing DW drums you may well recognise the acronym VLT. It stands for Vertical Low Timbre and describes a manufacturing process by which the outer and inner plies of a drum run vertically. Drums have to be cross-laminated for strength – at 90° to one another – but keeping the outer and inner plies vertical places less stress on a shell, giving it a lower fundamental tone.

In theory, a shell made up of exclusively vertical plies would possess enormous amounts of bottom-end. In reality, such a shell would not be strong enough to be fitted with heads.

Sunday, April 26, 2009

World Modern Rock Top 30 Singles


World Heavy Metal, Hard Rock & Alternative Singles Chart compiled by (USA, Germany, UK, Sweden, Finland, Canada, Australia).

1. Lifeline : PapaRoach
2. Use Somebody : Kings Of Leon
3. Careless Whisper: Seether
4. Desolation Row : My Chemical Romance
5. Chasing The Dragon: Epica
6. Decode :Paramore
7. Black Heart: InertiaIncubus
8. All I Want: Staind
9. Cyanide: Metallica
10.Drowning (Face Down): Saving Abel
11.Something In Your Mouth: Nickelback
12.My Loneliness: Firewind
13.Sex On Fire: Kings Of Leon
14.Citizen/Soldier: 3 Doors Down
15.You Found Me: Fray
16.Know Your Enemy: Green Day
17.Big Jack: AC/DC
18.All Night: Hinder
19.Hey You: 311
20.Ain't No Rest For The Wicked: Cage The Elephant
21.Life In Technicolor: Coldplay
22.So Close, So Far: Hoobastank
23.Let It Go: Capetown
24.How Could You?: Saliva
25.Dead Memories: Slipknot
26.Second Chance: Shinedown
27.The Night: Disturbed
28.Death Of Me: Red
29.Magnificent: U2
30.Panic Switch: Silversun Pickups

Mesa/Boogie M6 Carbine bass combo

The coolest bass combo on two wheels?
Roger Newell, Wed 15 Apr 2009, 11:15 am BST

Spesification : M6 Carbine bass combo
Country of Origin:
Additional Features:
Effects Loop with bypass, tuner out, balanced XLR line-out with ground lift, voice function switching, mute, 2 x combination Speakon /jack speaker output jacks, impedance selection, fan cooled
Audio Output Power (w):
Device Type:
Trans-Class valve preamp with MOSFET power section
Dimensions (mm (w x h x d)):
546 x 750 x 432
Loudspeaker Size (Inches):
Weight (kg):
Weight (lb) (lb):

While Mesa/Boogie has the reputation of providing 'stadium status' amplification, it is also appreciated for its design practicality. So while this new transportable bass combo is not aimed directly for use at mega venues, it is still extremely powerful and well conceived.

Finished in sturdy 'Black Bronco' covering with a stylish black jute grille, this is a triple-ported enclosure in Boogie's Tilt & Roll format. In other words, think of a substantial bass combo sitting on a sack barrow and you have the basic design concept as employed here.

Of course, Boogie has used this design feature before and proved its usefulness. Naturally it's all sturdily built and weighty, so any assistance in shifting it around has to be applauded. And there's no discernible vibration noise from the wheels or handle of this 'barrow' section. Loaded with a pair of 12-inch PowerHouse Neo 300 speakers and a horn this is all about quality tone and great delivery.

Slayer in the Studio: Loud, Fast and Ready to Thrash

Shredding on Dimebag's guitar and bashing religion as the metal vets prep their 10th album
STEVE APPLEFORDPosted Apr 16, 2009 12:31 PM

Some things can be counted on at a Slayer recording session. "Can I interest you in something fast and aggressive?" asks producer Greg Fidelman. He's sitting beside guitarist Kerry King at the Pass Studios in Los Angeles, where Slayer are working on a still-untitled album planned for a summer release, and cues up a new metal track with the working title "Build Up." King is ready to thrash.

He's already tapped the Jägermeister machine upstairs, and is now bent over a custom camouflage guitar, his black combat boots on the hardwood floor in the studio control room. King is plugged simultaneously into four amps, each one given a name: The Beast, Hot Ticket Deux, BLS and GF11. Fidelman rolls "Build Up," and King begins overdubbing bits and pieces of intricate metal melody and a harsh, aggressive riff, his eyes closed, nodding to the intense recorded beats of drummer Dave Lombardo. King's strumming hand is a blur, like a wasp in flight.

"Man, I don't even remember it being that fast," King says with a laugh after one take. "We're fucking flying!"

A pair of candles burn nearby, and a large chart lists the songs in progress, most with descriptive working titles, including "7 String," "Drop B" and "Industrial," along with "Psychopathy Red," recorded last October and already leaked online. Slayer are still in the early stages of recording, just five weeks in, working out ideas for what will be an 11-song album, released in July, in time for the summer's second Mayhem Festival tour with Marilyn Manson. Lyrics still wait to be written. Rick Rubin, who produced the band's landmark 1986 album Reign in Blood, is executive producing. more

Ludwig announces 'free drum' with Element Series

Lacquer drums now buy 5 get 6
Press release, Fri 24 Apr 2009, 3:07 pm BST

PRESS RELEASE: Since 1909, Ludwig has been making exceptionally crafted percussion products for drummers of all styles. During the 100th Anniversary year, Ludwig is proud to announce the new Ludwig Element Lacquer Series Drums.

Today's up-and-coming player is more discerning than ever demanding gear with custom options, sizing and appointments. Element Series Drums are the answer to that call, with 6-ply shells boasting inner and outer plies of Marbled Birch and a Poplar core.

For a limited time, all 5-pc. Element Lacquer shell packs come with a 6th drum free, adding true value to these accessibly-priced kits. Fortified with 2.5mm power snare hoops, available in four configurations and four high-gloss lacquer finishes, and accented by the new Classic Keystone Lug, Element is the key to the next level.

"We are really excited about the features Element Lacquer kits come standard with," says Combo Percussion Director of Marketing Kevin Packard. "Getting a 6-pc kit for the cost of a 5-pc. is just the icing on the cake!" 6-pc. Element Lacquer shell pack MSRP: $1,045.00.

For more information, visit
information taken from official press release

Roland TD-4K


Fizzy drinks, miracle age-repair make-up – everything is sold today with the promise of it being the 'best ever recipe'. Most of this stuff is so boring that, really, who cares? But when electronic drum makers make similar claims for their new products, it's a rather different kettle of fish.

This happens on a regular basis, of course – in fact every time a new kit is launched. But the posturing is justified more often than not where digital drums are concerned.

The simple fact is that technology continues to move on at such a pace that, even now, improvements in tone and responsiveness are coming in leaps and bounds. Roland has, of course, set a shining example of how to refine a product line over the last 10 years, so you'll be wanting to know if the new TD-4K continues this...

"Even if you never switched on the Coach Mode, you'd still be spoiled by what is an array of exemplary, all-new, on-board sounds"

Fender Eric Johnson Stratocaster RW

A new signature model with a series of tweaks
Neville Marten, Thu 5 Mar 2009, 4:10 pm GMT

Any mention of Eric Johnson invariably – and perhaps rather tediously for Johnson himself – concentrates on his status as a tone-hound of legendary credentials.

It will inevitably state how he goes through his equipment microscopically, making sure the polarity of each internal component faces the same direction so the current passes as smoothly as possible. Mention is unfailingly made of his preference for battery power over mains, while his predilection for Duracell is reiterated.

Thankfully, writers do then go on to talk about his astounding musicianship and an almost unfeasible knowledge of what makes great guitar tone. But sometimes it's forgotten just how into guitars and amps Johnson truly is – to the point where he probably knows as much about Strats as the people at Fender, and could likely give Marshall's amp engineers a run for their money.

"Even though you'll need to re-learn how to use a Strat to some extent, we can heartily recommend it."

Most importantly, some ignore the fact that Johnson's love for detail is never for the sake of it, but to extract the last drop of musicality from whatever equipment he chooses. So a signature Stratocaster, spec'd to Eric's exact requirements and built by Fender – whose reputation for quality is currently better than it's ever been – warrants close inspection here.

Of course this isn't the first EJ Signature Strat. We loved Eric's original, all-maple-neck model for its balance of vintage vibe and modern playability.

We were bowled over by the attention to detail that Johnson personally brought to bear over all aspects of its design and production; the two-piece alder body with deeply scooped contours, the delightfully smooth neck-to-headstock shaping and the thin-skin nitrocellulose finish.

All these features from the previous instrument have been retained for the current one. Others that have also been carried over include the slimmer headstock design and staggered-height tuner posts that negate string trees; Johnson-voiced pickups with a tone control on the bridge single-coil; and no vibrato cavity cover – Eric reckons they sound better without it and who are we to argue?

Wednesday, April 22, 2009

The Guitar Hanger: safe axe storage like a shirt

Leather, leather, guitar, leather…
Tom Porter, Wed 22 Apr 2009, 10:42 am BST

The Guitar Hanger is pretty self-explanatory: it's like a coat hanger, but you hang guitars on it, not coats.

It's supposed to save space and protect your prized axe from naughty children and flying cats as the below video demonstrates.

And, because your guitar isn't packed away in a case under your bed, it'll undoubtedly encourage you to play more. Why waste five minutes deciding which black leather jacket to wear (yes, there are no less than five leathers in that wardrobe), when you can shred for five minutes while deciding which black leather jacket to wear?

For more information, visit
Information taken from official press release

Billy Corgan auditions System Of A Down drummer

More Smashing Pumpkins tryouts possible
Joe Bosso, Mon 20 Apr 2009, 8:56 pm BST

Waiting for System Of A Down to get back together? Better not. Last week, Billy Corgan checked out a dozen drummers to join The Smashing Pumpins, and SOAD's John Dolmayan (last seen in Scars On Broadway) was one of the candidates.

A message from Corgan on The Smashing Pumpkins' website reads: "In total, 12 drummers were auditioned [in Los Angeles] on Tuesday. An additional tryout could potentially be held in May due to such overwhelming response to the audition process."

"A very positive experience"

"Overall, the drumming auditions were considered a very positive experience," Corgan continues. "The talent in all the drummers that tried out was incredible. Some of the candidates include John Dolmayan of SYSTEM OF A DOWN and Frank Lenz, a past bandmate of guitarist Jeff Schroeder from THE LASSIE FOUNDATION."

"The talent in all the drummers that tried out was incredible" Billy Corgan

The auditions - part of Corgan's plan to rebuild The Smashing Pumpkins from the ground up - were the result of founding member Jimmy Chamberlin's decision to leave the band.

Chamberlin called his departure "a positive move forward," adding, "I can no longer commit all of my energy into something that I don't fully possess. I won't pretend I'm into something I'm not. I won't do it to myself, you the fan, or my former partner. I can't just 'cash the check,' so to speak."

No "bad blood," says Chamberlin
Chamberlin added that there was "no drama" or "bad blood" between him and Corgan and that he will concentrate on playing music with his own group, the Jimmy Chamberlin Complex.

It would be interesting to hear what Corgan and Dolmayan could do together. But the fact that Billy hasn't yet named him the drummer means one thing: you've still got a shot!

coutesy: musicradar

Cakewalk Music Creator 5: the best-value PC DAW?

A new contender at the entry-level
Ben Rogerson, Wed 22 Apr 2009, 10:37 am BST

Music Creator 5 represents Cakewalk's latest attempt to create a truly entry-level DAW and, on first inspection, it looks like a pretty good one.

Crucially, the interface has been redesigned since the last version, so Music Creator now looks more like a PC version of GarageBand (which, after all, is what a lot of Windows users really want).

Equally impressive-looking is the spec sheet – the list of new features from Cakewalk's press release is as follows:

- New, simplified user interface
- Integrated Loop Explorer - now with support for MIDI Loops
- Cakewalk Sound Center - an easy-to-use tool that combines the best sounds from our award-winning professional instruments - exclusive to Music Creator 5
- Active Controller Technology (ACT), to make it easy to control your effects, instruments, and mix from a MIDI keyboard
- Studio Instruments' Drums allows users to make backing tracks fast with a realistic animated interface that looks just like a drum set
- MIDI editing right in the Track View - no need to open separate views
- New Assistants help you create parts and create effects busses for mixing
- IK Multimedia's AmpliTube X-GEAR - a built-in virtual guitar amp, plug directly in to your computer for great sounding guitar parts
- Integrated EQ with an easy-to-understand visual display of settings
- Burn CDs with Music Creator's integrated CD Burner and share your music online with Cakewalk Publisher

That's not a bad set of tools for a product that will retail for just $40 – especially when you bear in mind that Music Creator 5 is also plug-in- and ReWire-compatible, allows you to use 32 audio and 128 MIDI tracks and supports 24-bit recording.

Find out more on the Cakewalk website.

Marshall Introduces Blues-Inspired "Haze" Amplifier Line


Marshall Amplification introduces the new Haze line of compact and portable valve-driven performance amplifiers: the 40-Watt Haze combo (MHZ40C) and the 15-Watt Haze head (MHZ15). The Haze line was designed for the musician who demands an honest clean sound, a driving blues tone and some biting rock — all from a single, gig-ready amp. The Haze 40 combo is equipped with a single Celestion G12-66 Marquee 12" speaker. The Haze 15 head can be paired with matching single 12" Celestion G12-66 Marquee loaded cabinets (MHZ112A - angled; MHZ112B - base) as well.

The preamp section is powered by three ECC83 valves (tubes). Both Haze models feature two channels (normal and overdrive) that share a three-band EQ; a Bright switch adds extra emphasis to the highs. A selection of retro-style effects offers authentically-voiced Echo, Vibrato, and Chorus. An emulated spring-reverb is also included. Effect settings are retained by each channel for immediate recall during performance. All effects remain truly bypassed when completely off, providing a more direct signal path.

The Haze 40 combo features unique cabinet construction elements. The closed-back cabinet has been modified with four circular holes to preserve the best aspects of both an open-back and a closed-back design. The speaker is asymmetrically mounted, allowing for extended lows. This combo also features an additional presence control in the EQ, as well as a boost switch to add more depth to the low-mids. A bypass-able effects loop is also included. For recording or directly patching into a PA system, an emulated speaker line output recreates the speaker response. Power is provided by two EL34 valves.

The Haze 15 head is powered by a pair of 6V6 valves. Two 8-Ohm and one 16-Ohm speaker jacks are provided. The matching MHZ112 cabinets feature finger-jointed construction and a closed back design for robust tone and efficient power handling. The MHZ112B is a straight style (base) design; the MHZ112A is the traditional Marshall angled (top) style. Together with the Haze 15 head, they form a striking mid-size stack that is easily transportable.

An included two-way footswitch allows for channel switching and turning effects on and off.

The Marshall Haze 40-watt combo (MHZ40C) and the 15-watt head (MHZ15) will be available July 2009 with respective MSRPs of $1000 and $840.

For more information, visit their web site at

Tuesday, April 21, 2009

Nirvana's Reading 1992 show finally gets DVD release

But is it official?
Chris Vinnicombe, Tue 21 Apr 2009, 11:55 am BST

Nirvana's headline set at the 1992 Reading Festival is often cited as one of the high points of the band's brief career, and reports have emerged that 4 May will see the full concert become available officially on DVD for the first time.

According to NME, the DVD will be packaged under the rather superfluous title of Life Takes No Prisoners, and feature the band's entire 27 song set, including covers of Fang's The Money Will Roll Right In and Boston's More Than A Feeling.

However, there is speculation on the Nirvana fan forums at and that this is a bootleg release. The distinctly unofficial-looking cover art shown here leads us to suspect that this might indeed be the case.

A high-quality, professionally shot video of the Reading 1992 show has been widely available via torrent sites for several years now, albeit with a timecode running throughout.

Whether or not Life Takes No Prisoners turns out to be official, there's undoubtedly a huge demand amongst fans for more Nirvana releases.

We await an official response from Universal...


Monday, April 20, 2009

Neil Peart


Neil Peart is the most popular drummer today. When it comes to voting in Modern Drummer or Drummerworld - Neil Peart is always the No. 1.

Neil Peart (pronounced "Peert" not "Pert"), born September 12, 1952, near Hagersville, Ontario, is the drummer and lyricist for the Canadian rock band Rush. Rush is the most successful band from Canada, having played together for over 30 years, and selling over 24.5 million records (U.S.). Over the years, Rush has developed their own style of Progressive Rock, weaving together heavy metal, art rock, reggae, new wave, pop, grunge, and classical styles with thoughtful lyrics. The result has been 23 diverse albums, successful tours, and a loyal fan base.

Peart is known for his creative and intricate drum parts and extensive drum solos that delight both drummers and non-drummers alike. He's won many reader's poll awards from Modern Drummer, including 12 consecutive "best recorded performance" awards. In 1996, Peart became an Officer of The Order of Canada, the highest civilian decoration in Canada.

In 1997, following the death of his only daughter, Selena, and then his wife of 22 years Jackie Taylor (1998), Peart and Rush took a five-year hiatus. After he re-married in September 2000, Neil returned to Rush, and the band produced the critically-acclaimed Vapor Trails CD and subsequent tour, taking them to Mexico and South America for the first time. The final show in Rio de Janeiro, Brazil, became the multi-platinum DVD Rush in Rio. Rush toured again in 2004 as part of their 30th Anniversary celebration, and released a CD of Sixties cover songs, Feedback, to mark the occasion. After the tour, they released Rush - R30 - 30th Anniversary Deluxe Edition, a live concert from Frankfurt Germany.

On May 1, 2007, Rush released their twenty-third album Snakes & Arrows.

In addition to his job as a musician, Peart has written four non-fiction books, The Masked Rider, Ghost Rider, Traveling Music: The Soundtrack to My Life and Times, and Roadshow : Landscape With Drums: A Concert Tour by Motorcycle. Ghost Rider was nominated for a Canadian Literary award in 2003. He has also written many articles for Modern Drummer and other magazines. In all, his books have sold over 100,000 copies.

In his spare time, Peart rides BMW motorcycles, drives fast cars, snowshoes, bird watches, and hikes. His favorite drink after a concert or a long day on the road is The Macallan.

Peart currently lives in Santa Barbara, California, with his wife, Carrie Nuttall.

Peart's nicknames are "Pratt" and "The Professor."

Essential Rush recordings include: Fly by Night (1974), 2112 (1976), Permanent Waves (1980), Moving Pictures (1981), Exit... Stage Left (1982), Grace Under Pressure (1984), Power Windows (1985), Roll the Bones (1991), Counterparts (1993), and Vapor Trails (2002).

courtesy: drummerworld

The 10 guitars that changed music

From Robert Johnson's Gibson to Jack White's Airline...
Chris Vinnicombe & Michael Leonard, Thu 9 Apr 2009, 4:50 pm BST
The 10 guitars that changed music

There are watershed moments in the history of popular music when the planets align, and the sense of change is palpable. Moments when the right guitar, in the hands of the right player, at precisely the right time causes a seismic shift and redraws the landscape.

In loosely chronological order, here's MusicRadar's list of the 10 guitars that changed music, and 10 players who broke down the door for a generation to follow in their wake.

Be warned, you might not find some of your heroes in this list, but you'll certainly find your heroes' heroes…

1. Robert Johnson's Gibson L-1
For all the soul-selling mythology associated with the shadowy figure of Robert Johnson, the impact on modern popular music of the 1961 King Of The Delta Blues Singers compilation album – recorded during two sessions in 1936 and 1937 – is hard to overstate.

For the likes of Bob Dylan, Keith Richards, Eric Clapton and Jimmy Page, Johnson's primal delta blues was a pivotal influence, with Clapton describing Johnson's music as "the most powerful cry that I think you can find in the human voice."

In 2006, a New York memorabilia dealer attempted to sell an L-1 purported to be Johnson's guitar for $6 million, but its authenticity was never corroborated.

2. Charlie Christian's ES-150
Widely regarded as the first electric 'lead guitarist', Christian's work in Benny Goodman's Sextet paved the way for bebop. Christian's horn-inspired lead lines were a precursor of the sounds of T-Bone Walker, Wes Montgomery, Les Paul, BB King and many more. The single-coil blade pickup on his ES-150 (Electric Spanish, $150 price) has come to be known as a Charlie Christian pickup.

3. Buddy Holly's Fender Stratocaster
When Fender's curvaceous, futuristic new Stratocaster arrived in 1954, few could have predicted that it would become the most successful electric guitar design of all time. One of the most enduring images of early rock 'n' roll is the combination of Buddy Holly's heavy-framed spectacles and sunburst Stratocaster.

The likes of The Shadows' Hank Marvin – recipient of the first Stratocaster to arrive in the UK – and John Lennon were immediately smitten and popular music would never be the same again

4. George Harrison's Rickenbacker 360/12
The chiming opening chord of A Hard Day's Night has been the subject of much conjecture over the years, but the fact that it launched the electric 12-string on the world stage is beyond question. Its jangle would resonate via The Byrds through to Johnny Marr and beyond.

Harrison's first 360/12 was the second Rickenbacker 12-string ever made and the first to feature the brand's unconventional 12-string configuration, with the octave strings occurring second in the string pairs.

5. John Entwistle's Fender Jazz Bass

My Generation's blistering bass solo was the first time most of the world heard a bass guitar used as a lead instrument. The Ox originally intended to utilise the extra treble of a Danelectro Longhorn in the studio, but after a succession of broken strings, his more reliable Fender won out.

A decade later, the likes of Geddy Lee and Jaco Pastorius would take the humble Jazz Bass even further into uncharted territory.

6. Eric Clapton's Bluesbreakers-era 1960 Gibson Les Paul Standard
The Holy Grail for vintage collectors initially misfired on launch, but nobody did more to spark the Les Paul Standard's skyward ascent than Slowhand at the height of his powers. The combination of Les Paul and Marshall on the 1966 'Beano' album would pave the way for Page, Kossoff and countless others to define the sound of rock guitar during the following decade.

7. Jimi Hendrix's Fender Stratocaster
A decade after Buddy Holly, Jimi took the Stratocaster on a sexually-charged interstellar voyage that didn't so much redefine the boundaries of the electric guitar as blow them to smithereens.

Hendrix used and abused lots of guitars in his all-too-brief career, but his white 1968 'Woodstock' Strat is the most iconic. Microsoft's Paul Allen is reported to have paid a cool $2 million for the instrument, which now resides in Seattle's EMP Museum.

8. Eddie Van Halen's 'Frankenstein'
For guitarists of a certain age, Van Halen's 1978 eponymous debut album was year zero for rock guitar. EVH set the bar for the lead guitar fireworks that would dominate mainstream rock for the next decade sporting a mongrel, self-assembled guitar with an original Floyd Rose, a Gibson PAF borrowed from an ES-335 and that iconic striped paintjob.

If you can track down one of Fender's 300 incredible Frankenstein replicas issued in 2007, expect to pay upwards of $25,000. Or just make one yourself like Eddie did.

9. Steve Vai's Ibanez Universe
The Ibanez Universe was the first commercially-available modern seven-string electric. Developed in collaboration with Steve Vai, the model went into production in 1990, but demand was low and 1995 saw no new models produced.

1996 was a different story though, and its use by bands like Korn and Fear Factory saw the Universe reintroduced, with the rumbling low B of a seven-string becoming de rigeur for the burgeoning nu-metal scene.

10. Jack White's JB Hutto Montgomery Airline
Although Jack White uses a number of different guitars, his red and white resoglass pawnshop/junkshop prize is the one with which he's most readily identified. In an era in which to many guitarists the blues means thousands of dollars worth of boutique gear and the pursuit of some sort of tonal Holy Grail, White is both a beacon and a conduit.

Through his raw, visceral music it's possible to reconnect with the white knuckle, seat-of-the-pants blues of the likes of Robert Johnson and Son House while simultaneously exploring new themes and sounds.

courtesy: musicradar

Chris Cornell says he could reunite with Soundgarden


"There's no bad blood. It could absolutely happen"
Joe Bosso, Tue 14 Apr 2009, 8:03 pm BST

Chris Cornell says he never ruled out the possibility of reuniting with Soundgarden, the Seatlle band he formed in the mid-'80s and with whom he helped change the rock landscape as part of the movement known as 'grunge.'

"There was never any bad blood between us," Cornell says in an exclusive podcast interview with MusicRadar (listen below). "I've always remained on great terms with everyone in the band. We've always been good friends. Seeing them reunite recently on YouTube? I thought that was terrific. It gave me a warm feeling. I wish I could have been there."

Putting a fine point on the likelihood of reuniting with his former bandmates, Cornell says matter-of-factly, "I'm never going to count anything out."

"I'm never going to count anything out" Chris Cornell on a possible Soundgarden reunion

Hip-hop beats vs raging guitars

If and when that happens - and it's still a big 'if' - Chris Cornell has a new solo album out called Scream, and it's confounding critics and fans alike. An au currant collaboration with noted producer Timbaland, it finds the singer ditching the raging guitar tunes of his past in favor of hip-hop beats and synths.

And belying the album's title, Cornell has deep-sixed his paint-peeling vocal wail. "I do a hell of a lot of singing on the album," he says. "More than I've done on anything I've ever done."

Cornell is well aware that his latest effort has people scratching their heads, but he appears unconcerned. "I didn't make this record to please my fans. I made it to please myself. I already did Rusty Cage, I already did Black Hole Sun - I don't need to do them again.

"The second you start writing to please people, you may as well be a short-order cook. That's not me."
The Trent Reznor 'Twitter war'

"I haven't read what he really wrote, but I think it's kind of good, because it gets people talking about my record" Cornell on Trent Reznor calling Scream "embarrassing"

Of the recent 'Twitter war' between himself and Nine Inch Nails main man Trent Reznor, Cornell smiles and says, "I haven't read what he really wrote, but I think it's kind of good, because it gets people talking about my record. This album is a huge challenge for me...getting people to talk about it, even if it's from negativity, that draws people to it."

In the following MusicRadar podcast, Cornell talks about Scream and his decision to work with Timbaland. He also strolls down grunge memory lane and remembers good times with Kim Thayil and the rest of Soundgarden. "It was an amazing period in cultural history that'll never be repeated."

courtesy: musicradar

Matt Bellamy's new signature guitar

See the Muse guitarist's Manson MB-1 in action
Chris Vinnicombe and Chris Wickett, Tue 21 Apr 2009, 5:16 pm BST

Muse mainman Matt Bellamy is no ordinary guitarist and his gadget-loaded Hugh Manson custom electrics are similarly extraordinary.
Until now, Bellamy's collaborations with Manson have been strict one-offs, with a long-standing agreement between the two that the body shape of those instruments would not be replicated. But that's all about to change…

Mansons Guitar Shop in Exeter, UK, has announced details of one of the most exciting production guitars in years: the Manson MB-1 Matthew Bellamy signature model. Easily the most technologically advanced signature guitar on the planet and based on Bellamy's own cracked mirror M1D1, the MB-1 features a sustainer circuit and an X/Y MIDI controller pad (like that on a Korg KAOSS pad) that can be mapped to control anything from a particular effect parameter to stage lighting.

When we heard about this, we had to head down to Mansons to see for ourselves. You'll be pleased to hear that we took a video camera along too. Without further ado, here's the first officially-sanctioned video of the MB-1 in action anywhere on the internet.

courtesy: musicradar



New York, NY: Massachusetts' finest hard rock purveyors, KILLSWITCH ENGAGE, have announced the title for their eagerly anticipated fourth album for Roadrunner Records. The title is Killswitch Engage. The album, produced by Brendan O'Brien (AC/DC, Rage Against the Machine) and co-produced by guitarist Adam Dutkiewicz, will hit stores on June 30.

Some of the working track titles for the album include "Reckoning," "The Forgotten," "Light in a Darkened World" and "Starting Over." Vocalist Howard Jones offered a little insight into Killswitch Engage, saying, "It was time for us to step outside of our comfort zone and try something a little different with this record. It definitely still sounds like us, but we needed to be refreshed and take things a little further." The singer also comments on the album being the band's second self-titled effort of its career, saying, "When we all couldn't agree on an album title, someone suggested we just keep it self-titled and we all pretty much it the feeling of a fresh new beginning."

Killswitch Engage have been playing the tentatively titled "Light in a Darkened World" during their set on the Music As A Weapon Tour, where they are serving as main support to Disturbed. The band also performed the song as the opening act of the first annual Revolver Golden Gods Awards, which were held on Tuesday, April 7 in Los Angeles. The song, sandwiched between "My Curse" and the band's uniquely Killswitch'ed cover of Dio's classic anthem "Holy Diver," generated plenty of excitement among the crowd and set the tone for the show. The awards and KsE's performance will be broadcast on MTV2 on May 2.

The band will spend the summer touring as a main stage attraction on the second annual Rockstar Energy Mayhem Fest. Jones also commented on the upcoming tour, saying, "We are excited and thrilled to share the stage this summer with Bullet For My Valentine, Slayer and Marilyn Manson. We hope to entertain and enjoy our time interacting with both old friends and new friends daily. Prepare yourself for laughs, riffs and the unexpected. We will do all we can to make you move, yell and ponder who made the mistake of letting us onstage. You have been warned. Oh, and watch new episodes of The Office."

courtesy: roadrunner

Sunday, April 19, 2009

The Top 20 Most Underrated Albums of All Time! (roadrunner version)


The most heated list yet here at Roadrunner Records, the most underrated albums of all time. For the sake of argument, 5 of us here sat down (the most argumentative of the bunch) and hacked out top 20 lists of what we each thought were the top 20 most underrated albums.

As you can guess this sparked heavy debate, and some of us didn't even want to sign off on the final list, but through it all what we came up with democratically is as follows.

1. 1. Faith No More - "Angel Dust"
2. 2. Pantera - "The Great Southern Trendkill"
3. 3. Fear Factory - "Soul of a New Machine"
4. 4. Megadeth - "Youthanasia"
5. 5. Far - "Water & Solutions"
6. 6. Death - "Symbolic"
7. 7. Mr. Bungle - "California"
8. 8. Tool - "Opiate"
9. 9. Type O Negative - "Origin of the Feces"
10. 10. St. Vitus - "V"
11. 11. Wintersun - "Wintersun"
12. 12. Opeth - "Still Life"
13. 13. Gojira - "From Mars to Sirius"
14. 14. Only Living Witness - "Prone Mortal Form"
15. 15. All That Remains - "This Darkened Heart"
16. 16. Aerosmith - "Rocks"
17. 17. Bad Religion - "Recipe for Hate"
18. 18. Starkweather - "Murder in Technicolor"
19. 19. Bloodbath - "Resurrection Through Carnage"
20. 20. Pink Floyd - "Pulse"

Some of the people involved with writing this list disagree to some extent the order of the list, or even some bands that are on it. We want to see what your list looks like. Pick your top 20 UNDERRATED albums of all time and post it in this news post and we'll send a whole bunch of you some free shit! Make sure your email address is correct so we can contact you!

Special thanks to the people who helped out creating this list, Amy Sciarretto, Mike Gitter, Sam Roon, Heff and Justin D'Angelo.

Matt Sorum


Matt Sorum joined Guns N' Roses in 1991, after Steven Adler was fired. Matt's first gig was "Rock in Rio II" in Brazil -91.Which he exclaims was a very nerve racking moment for him; playing with GNR for the first time in front of thousands.

After Adler was fired a replacement was not immediately apparent: Adam Maples from Sea Hags had already filled in temporarely, while Martin Chamers from Britain's Pretenders was briefly considered. The permanent answer to their prayer, however, was to be found in the shape of Matt Sorum, American drummer with another British group named The Cult. Slash had been down to the local Universal Amphitheater venue to see the band, which the Gunners had once supported, and was impressed enough by their sticksman to put in a transfer bid. Who could refuse the call? "They liked me for what I was doing - rock solid drumming," commented the newcomer before revealing a trade secret. "When I was recording with Guns, Slash would get me to play quicker... they like me up-beat, aggressive and energized." As for Axl, "The fact that Matt could play and fit in is what saved us. If we hadn't found somebody it would ultimately have been the demise of the band. Matt's been capable of keeping up with it, if not enhancing it totally, and bringing new stuff to it."

Matt also enjoys GN'R's unique way of keeping their live shows fresh. "We don't have a set list," he explained. "Rather we have a pick list. Sometimes it'll be 30 seconds before we go on-stage when Axl calls out whatever he thinks he can sing first. The second number is set because I go into it - "Mr Brownstone" - I play timpani. I hated this was of working at first", he admitted, "but I love it now 'cos it's fresh, especially when you're on a two-year tour. And we're so at ease with playing on big stages now. So if Axl throws out a song we haven't played for six months it might be a little shaky, but we're not freaking out about it. There's an andrenalin rush every night."


In 1988, Matt Sorum played in a band called "Y Kant with Tori Reed". Later, Slash saw Matt at a The Cult concert (group that GNR had opened for earlier) and recruited Matt. Matt was part of Guns n' Roses from 1990 to replace Steven up to 1994. Matt Sorum has since re-joined The Cult.

Chad Smith


Chad Smith is the powerhouse behind the US super group Red Hot Chili Peppers. Chad pulls off effortlessly one of the most difficult challenges facing drummers, the ability to blend high powered rock with blistering funk grooves. With a personality as big as his drum sound, Chad remains a firm favourite with drummers all over the world. Chad is one of the few drummers to have appeared on the 'Simpson's', Aerosmith's Joey Kramer is another.


1999 saw the release of the Red Hot Chili Peppers' Californication and driving those tracks to the top of the charts was the tremendous fun force that is Chad Smith.

Whether it was his performance at Woodstock 99 wearing a giant light bulb on his head or in a witch doctor outfit on the cover of Modern Drummer's August 99 issue you remember first, it's hard to forget the infectious beats on such tunes as Give It Away, Higher Ground, Under The Bridge, and most recently Lonely View. Highlighting their contribution to the music video genre, the band was presented The Video Vanguard Award at The 2000 MTV Music Awards and followed up with a blistering performance.

With numerous platinum recordings under his belt with the Red Hot Chili Peppers, Chad Smith has gained the recognition he has long deserved by cranking out one hit groove after another.

KORN Frontman Featured On THE CHANGING Single


KORN frontman Jonathan Davis has recorded guest vocals on a track called "Jerry Bruckheimer" from the Hollywood, California band THE CHANGING, featuring former KORN percussionist/backing vocalist Kalen Chase. The song will be available for streaming and download on starting on April 20.

"Jerry Bruckheimer" comes off THE CHANGING's debut album, "For Obvious Reasons", due later in the year.


Kalen Chase: Vocals
Branden Krull: Keyboards
Kyle Mayer: Drums
Dan Johnson: Bass
Shootie HG: Guitar

courtesy: blabbermouth

Igor Graziano Cavalera


Birth name Igor Graziano Cavalera
Born September 4, 1970 (1970-09-04) (age 38)
Belo Horizonte, Brazil
Genre(s) Heavy metal
Electronic music
Occupation(s) Musician
Instrument(s) Drums
Associated acts Sepultura
Cavalera Conspiracy

He, along with older brother Max were the founding members of the Brazilian thrash metal band Sepultura. Igor is now the drummer for Cavalera Conspiracy.

He is the younger brother of Max Cavalera. He played in bands besides Sepultura as well, including Nailbomb, Strife, and Titãs. As his hip-hop influences grew stronger he began to DJ. Cavalera is one half of DJ duo Mixhell, a project he founded with his wife, Laima Leyton.

Igor started playing drums at a very early age. When Sepultura was formed, Iggor was the youngest member at the age of 13. Sepultura was a pretty big success and gave Iggor an early start. On April 21, 1984, Iggor played, for the first time, on a real drum kit, which was borrowed from Helinho of the band Overdose, that also played that night.

In the first albums his drum playing was chaotic following the thrash norms of the 80s. This style he had mastered by 1988-1991 (in the Beneath the Remains and Arise albums). However, the era when he created a new school of drumming began after 1993. His innovative style in the album Chaos AD brought tribal elements into the songs. One classic example of his contribution to extreme music is the introduction of the song "Territory" (1993, Chaos AD). He went on to take this style to a new level in the 1996 Roots album, adding more tribal elements to Sepultura's music. Through all his career, though, Cavalera has been widely recognized as a notoriously hard-hitting drummer (acknowledged by producer Scott Burns during the recording of Beneath the Remains). In later years, Cavalera adopted a drumset conformation with almost no cymbals and upright toms, as seen in Live in São Paulo.

After the band split with his brother Max (lead vocals/rhythm guitar) in 1996 their relationship underwent a crisis. In recent times their relationship has improved, with Max stating in an interview that a reunion with Sepultura was possible. Iggor even joined Max's current band Soulfly on stage at the 2006 tenth annual D-Low Memorial Show, to play the Sepultura classics "Roots Bloody Roots" and "Attitude". It was the first time the brothers had played together in ten years.

In 2006 with the release of Dante XXI, he began spelling his name "Iggor", saying there is no special meaning to this, he just prefers the way it looks. However, this could be to avoid confusion with his nephew Igor, also a drummer, and who has also played onstage with Cavalera Conspiracy.

On 13 January 2006, it was announced that Iggor was taking a break due to his becoming a father for the fourth time. He left the ranks of Sepultura temporarily. On 12 June 2006 with the release of Dante XXI, Iggor announced that he was quitting Sepultura due to "artistic incompatibility."

Iggor was scheduled to collaborate with Underground Hip Hop artist Necro, on a project described by Necro as "old-school '80s thrash/death metal type of shit".[1] However, Necro mentioned later that the project will not go ahead. In 2008 he released an album called Inflikted together with his brother Max in a project named Cavalera Conspiracy. In 2009, he appeared on Violent J's The Shining on a track called "Fight Club", also featuring Necro.

He is also credited as having made a guest appearance on Biohazard's 2001 release "Uncivilization" on the track "Gone".

Vinnie Paul


Vincent Paul "Vinnie" Abbott (born on March 11, 1964 in Dallas, Texas, U.S.) is a heavy metal drummer and producer who is currently a member of supergroup Hellyeah, but is best known for being a member, and co-founder, of the heavy metal band Pantera. He also co-founded the heavy metal band Damageplan in 2003 with his late brother, Dimebag Darrell.

Birth name Vincent Paul Abbott
Born March 11, 1964 (1964-03-11) (age 45)
Origin Dallas, Texas, U.S.A.
Genre(s) Heavy metal, groove metal
Occupation(s) Musician, songwriter, producer
Instrument(s) Drums
Years active 1981-present
Label(s) Big Vin Records
Associated acts Pantera, Rebel Meets Rebel, Damageplan, Hellyeah

Life and career

Vinnie Paul is the son of Carolyn and Jerry Abbott, a metal music songwriter and producer. He played in Pantera, Damageplan, and Rebel Meets Rebel with his brother, late guitarist Dimebag Darrell. His professional musical relationship with his brother often earned them comparisons to fellow guitar/drum duo Eddie and Alex Van Halen.

Vinnie Paul is well-known for his extremely powerful drumming and especially for his "thundering" double bass drum playing, as a Sabian article named it. Some good examples of this style of playing can be heard in "Domination" off the Cowboys from Hell album and "Becoming", off the Far Beyond Driven album. As a trustworthy reference for his individual style and advanced drumming skills, Dream Theater drummer Mike Portnoy has mentioned Vinnie as one of his important influences


Vinnie Paul plays on a Pearl MRX Masters Series: In snake skin finish (Vinnie Paul Custom Wrap)

* 24x20 bass drum x 2
* 14x14 tom
* 15x15 tom
* 18x16 floor tom
* 14x8 Vinnie Paul Signature snare drum

Recently, Vinnie Paul has switched to ddrum drums.[3] His new DDRUM signature drumset [4] includes the following:

* 24x24 bass drum x2
* 14x14 tom
* 15x15 tom
* 16x16 floor tom
* 14x8 signature snare drum

Sabian Cymbals

* 14" AA Rock Hi-Hats
* 18" AA Rock Crash
* 20" AA Chinese
* 18" Hand Hammered Rock Crash x 2
* 22" Hand Hammered Power Bell Ride
* 20" AA Chinese
* 14" AA Rock Hi-Hats
* 18" AA Rock Crash
* 12" Sabian Ice bell
* 6" Alabama white Snake

Vic Firth Sticks
American Classic Rock. American Classic Metal Vinnie Paul signature (2B) Is usually witnessed playing his sticks backwards, striking the drums with the butt-ends.

Travis Barker


Travis Barker is quickly becoming one of the more influential musicians on the Rock scene today. Travis began studying drums and taking lessons at the age of four. He studied with a jazz teacher and was exposed to many different styles of music. While in High School, Travis played in the jazz ensemble and marching band. He subsequently gained much experience performing at regional competitions and festivals. His senior year, Travis passed up drum corps tryouts for touring with a rock band. He gained more experience as a rock drummer in a few early bands such as Feeble, The Suicide Machines, and The Aquabats.

In 1998, Travis replaced Blink 182's first drummer and came to the band’s rescue at one show by learning over twenty songs in just a few hours and performing with them later that evening. Travis quickly became a much respected and popular member of the band and solidified his position as the timekeeper with his professional attitude, rhythmic skills and talent.

Blink-182 won a Teen Choice Award, a Blockbuster Music Award, and appeared on the MTV Awards 2000 where they performed "All The Small Things" and won Best Group Video. In Europe, they received an MTV Europe Award for Best New Act. They have performed on Saturday Night Live and the Tonight Show (twice), appeared in the hit movie American Pie and opened the Billboard Music Awards. The band has also graced the covers of Rolling Stone, Alternative Press (twice) and Teen People. At this point, Blink-182 is a worldwide phenomenon, with their recordings reaping multi-platinum status and their concert tours selling out everywhere. The band's popularity has only increased since their formation in '93. In 1994 they released their first full-length album, Cheshire Cat, on Grilled Cheese (a division of Cargo Music). In 1996, they signed a joint-venture record deal with Cargo Music and MCA Records, with their first MCA release Dude Ranch (1997) setting the stage for their current success. By the end of 1998, they had emerged as one of the most popular pop-punk bands of the year.

Worldwide sales of Enema of the State are now over seven million copies, not to mention the fact that the album has been on Billboard's Top 200 for over a year. The album's three singles, "What's My Age Again," "All The Small Things" and "Adam's Song" have dominated MTV, alternative, rock and Top-40 radio. Travis will be on tour in support of Blink’s latest release and follow-up to "Enema of The State", "Take Off Your Pants And Jacket".

Box Car Racer, Barker's collaboration with Blink bandmate Tom DeLonge, David Kennedy and Anthony Celestino, filmed their second video recently with director Alexander Kostas (Filter, Andrew W.K.).

April 7, 2005
Mark Hoppus and Travis Barker of Blink 182 have started a new group named Plus 44, which features vocals from Carol Heller of Get The Girl.

The band are aiming to have a record released this year, with Hoppus telling MTV: "It's very exciting, like a breath of fresh air. It's all very electronic right now. We have a girl singing - she and I are trading off vocals.”

Barker also commented: "If Blink was the daytime, Plus 44 is the night time. It's such a departure from Blink, but it's amazing. I play all the drums, but they're electronic drums, plus I play piano and keyboard on it. And I've been making beats for it... I am just going to keep working on stuff. Everything's A-plus."

Blink 182 announced that they were to go on indefinite hiatus in February, citing a desire to spend more time with their families, however rumours surfaced that the trio had in fact fallen out.

September 2008:
Travis was hospitalized following a plane crash on September 19. Four others died in the crash. Barker was admitted to a Georgia burn center to treat third-degree burns to his lower body and returned home ten days later.

courtesy: drummerworld

DISTURBED Drummer Says DIMEBAG's Murder Has Cast Shadow Over Live Performing


DISTURBED drummer Mike Wengren, a close friend of late DAMAGEPLAN/PANTERA guitarist "Dimebag" Darrell Abbott and his brother, DAMAGEPLAN/PANTERA drummer Vinnie Paul, told Launch Radio Networks that the onstage shooting of Abbott has cast a shadow over live performing. "I think one of the most scariest things is, you go up onstage, and there's this energy transfer between the band and the crowd, and you almost feel invincible. You feel very empowered," he said. "Never in a million years would anyone ever think something like that was even possible, and I think it just caught everyone off guard. It's pretty scary."

Nathan Gale, the disturbed ex-Marine who shot and killed Abbott and three others at a DAMAGEPLAN concert in Columbus, Ohio on Dec. 8, 2004, was killed by a police officer during the incident at the Alrosa Villa nightclub.

A second DAMAGEPLAN album, as well as other previously unreleased material featuring Abbott, may surface sometime in the near future.

courtesy : blabbermouth


Roland is pleased to announce the launch of V-Drums Lessons, a series of free online drumming videos taught exclusively using Roland drum & percussion products.

Hosted by top Roland clinicians and artists, these lessons are designed for every level of drummer. V-Drums Lessons cover various drum and percussion techniques and styles, and also provide helpful tips unique to electronic percussion instruments.

Visitors can view any of the lessons directly in their web browser, subscribe to the free video podcast via iTunes, or download individual lesson episodes directly to their computer.

“We are thrilled at how quickly these lessons have gained popularity in the drumming community,” says Steve Fisher, Percussion Market Development Manager at Roland. “With new lessons added each week, we’re confident the buzz will continue to grow.”

To get started with V-Drums Lessons today, visit:

V-Drums Lessons are also available at the iTunes store as a free video podcast:

Dave Lombardo


performed with:

Andy Wallace
John Zorn
Bill Metoyer
Grip Inc.
.. and more

When I was in 3rd. grade my class had show and tell day, bashful as I was I brought a set of bongos and a Santana record and played along to a song. My parents put me in a Catholic private school where we lived in Southgate California. They had a school band, I was in that class only for a year, marching drum was not what I wanted but I enjoyed it very much. At age 10 my dad saw my persistent interest in drums and agreed to buy me a 5 piece Maxwin by Pearl drumset for $350.I was a KISS fan at the time and the first record I ever bought was KISS Alive, I taught myself to play "100,000 years". I remember being the talk of the town for knowing that solo. Some guy I knew during that time asked me if I knew the drum solo in the song "Moby Dick". I was very aware of Led Zeppelin but exposing myself to the record Led Zeppelin II showed me a side of music that I wasn't too familiar with, The Blues. An amazing amount of feeling was what this band had, and not only as a whole but the drummer John Bonham played with soo much emotion that I felt I learned that element and took it with me through my career. Later I learned this was Crescendo's and Decrescendo's.

I would listen to the radio often I would tune into a show called The King Biscuit Flower Hour, and hear pre-recorded broadcast's of live show's. I'd go to the local record store and buy 45's (records containing one song on each side.) of songs that I would hear on the radio and play along to them. I feel this was a learning period for me. I asked my parents to let me take drum lesson's. That lasted a week, I got extremely bored with LRLLRLRR.I went back to listening and playing along to records. From 10 to 12 years old all I liked was Rock music, but Something strange was happening to me and it wasn't just puberty. I was again exposed to new music. A good majority of my friends if not all were listening to DISCO. And I got into it. It was fun I went to allot of dances and parties was even a DJ for a mobile Disc Jockey called "A Touch of Class" those were great times. I would come home at 4AM And my parents would be pissed and threatened to put me in a military school. Underneath the no collar shirt, pleated pants and stacy adam shoes was a still devoted rock fan. The music I was exposed to at that time showed me the effects of rhythm on the body. The difference of Disco and Rock were so great that it intrigued me and I found that playing along to this music showed me groove. I felt this energy and it was amazing, it made people dance and not just listen, like what rock music was about.

Summer of 78 still a DJ and still drumming, I was meeting various musicians around town and they would come over and talk with me, and some would bring there guitars and we would jam in my bedroom. We would play songs by Jimi Hendriks like Purple Haze, Foxy Lady and one of my favorites,Fire.Graduating from the private school at 8th grade I went to a private high school called Pius 10th.High school. There were older students and more musicians. There I sign up to be in the talent show. I did a duet with a guitar player named Peter Fashing, we did our own rendition of Johnny B Goode complete with a drum solo. I'll never forget the dress rehearsal the night before. There was sarcasm from another band yelling from a distance calling me Buddy Rich. We brought the house down the following night. I'll never forget the roar of the crowd during the drum solo. The next day at school the word was out, my name was "David the drummer" and everybody knew who I was. Soon after that I formed a band called "Escape" we only had 2 guitar players and played AC/DC Led Zeppelin and Black Sabbath songs In my garage. I had to change school's because I wasn't meeting grade expectations. I went to South Gate High School and found a singer to join the band and still no bass player we played a couple parties under the name Sabotage, nothing came of it. My parents noticed my withdrawal from everything except music I would stay in my room after school and play my drums and listen to music. They nagged me to get a job and quit the band. So I did.

I was threatened by the musicians. I was hearing they were out to "kick my ass"for leaving the group. They never did. One of the guitar players girlfriend, the so-called manager went as far as to write a poem about me leaving the band in the school news paper saying," we'll see who makes it to the top, lets place a bet". I should of made that bet.

Getting a job at the local pizza joint as a delivery boy shut my parents up for a while I was able to talk my dad into buying me a real drumset.And since I had a job I was able to pay him back the loan. I went to Guitar Center in Hollywood and found a TAMA Swingstar drumset and Paiste Rude cymbal package for $1100 I'll never forget the ride home from the store in the back of my dads truck with my drums.

One day I was doing a local delivery and I remembered one of the guys that use to come over telling me about this guitar player that lived 5 blocks away he also told me that he had all these guitars that his dad bought him. I drove by the house and he was outside watering the lawn, I introduced myself to him by saying "hey I heard you play guitar I play drums do you want to jam?" he said,"yeah, Do you want to come by later and check out my guitars?" I agreed and showed up that night, and shared music and bands that each of us liked. His name was Kerry King.

To be continued...........

Lars Urich


Besides being one of Metallica's founding members and main songwriters, drummer Lars Ulrich is also the band's spokesman. Born on December 26, 1963, in Gentofte, Denmark, Ulrich's father (Torbin Ulrich) was a nationally renowned tennis player, and it appeared as though Lars would follow in his father's footsteps, as the young Ulrich practiced hard on tennis skills. In 1973, his father took Lars to his first rock concert, to see the mighty Deep Purple in Copenhagen, which opened the youngster's eyes to hard rock and heavy metal. After he decided that the tennis life wasn't for him after all, Ulrich shifted his focus on music (namely the New Wave of British Heavy Metal movement: Iron Maiden, Saxon, Diamond Head, Motorhead, Def Leppard, etc.), and took up the drums. His family relocated to California in the early '80s, as Lars promptly put an ad in the local music paper looking for other similarly minded musicians looking to start up a band (even though the NWOBHM had yet to make an impression stateside). One of the first replies he received was from guitarist James Hetfield, as the pair agreed that they should form a band that was a reaction against the glam metal that had infiltrated Los Angeles at the time. Soon after, Metallica was officially born.

Several other bandmembers came and went, until a lineup consisting of bassist Cliff Burton, lead guitarist Dave Mustaine, plus Ulrich and Hetfield (the latter also doubling on vocals by this time) moved to San Francisco, building up a solid fan base due to their shows and a heavily circulated demo tape, No Life 'Til Leather. Metallica was offered a record contract with the independent label Megaforce if they agreed to move to New York, which they did, replacing Mustaine with Kirk Hammett in the process. Over the course of three releases, 1983's Kill 'Em All, 1984's Ride the Lightning (which was the group's first to be issued by a major label, Elektra), and 1986's Master of Puppets, Metallica became one of heavy metal's most promising new bands, until Burton's tragic death nearly derailed the group. With massive success just around the corner, the remaining members decided to carry on with replacement member Jason Newsted, resulting in such blockbuster releases as 1988's And Justice for All and 1991's self-titled release, which established the group as one of the biggest rock bands on the planet. The '90s saw more sold-out stadium tours and further hit albums (1996's Load, 1997's Reload, etc.), before Newsted exited the band in early 2001.

Between Metallica tours throughout the '90s, Ulrich kept himself busy forming his own record label, Music Company (via Elektra/Asylum) and jet setting with other rock stars as well as movie actors. In the late '90s, Ulrich received criticism from rock fans when he publicly spoke out against the mp3 file sharing internet server Napster, attempting to lend a hand in closing down the server by prohibiting Napster from including any Metallica songs - going as far as giving a list of Metallica fans who had downloaded songs of the group (which resulted in the ban of nearly 300,000 users from the service).

perform with :
Diamond Head
Mercyful Fate
James Hetfield
Kirk Hammett
Randy Staub
Bob Rock
Jason Newsted
Cliff Burton
Brian Dobbs
Mark Whitaker
Jeffrey Norman
Michael Kamen
Toby Wright
Mike Clink
S. Mark Wright
Paul Welcomer
David Teie
Anthony Striplen
Peter Shelton
Victor Romasevich

.....and many more


David Silveria


David Silveria was born in Bakersfield, California, on September 21st 1972. David grew up in Bakersfield, where he learned how to play drums at the age of 9. "I think one of the reasons music became such an obsession for everyone in the band is that there just wasn't a whole lot to do where we lived."

James, Brian and Fieldy were looking for a drummer for their band. Fieldy says "I get a message on my answer machine from this kid. David's like 13... 'hey you guys looking for a drummer'. So we called him up, tried him out...he was good, man"

"David was like, so young, he used to have to get his mom to drop him off at practice" says Munky. "They called me up. And I loaded up my drum kit into the car, and took it down to the studio, and it's been there ever since" says David.

David married Shannon Bellino in April, 1997, and tattooed her first name on his back. They have a son, David Jr., born on August 22, 1997. Along with the aforementioned tattoo of his wife's name, David has three more tattoos: a Cheshire cat, a guy sticking out his tongue that has a drumstick through it, and the Korn logo. He is described as the shy member of the band.

David has a lucrative side job as a model. He has already completed a modeling assignment for skate punk clothing company 26 Red. He proved such a hit that 26 Red's biggest rivals, Grind, have now also contracted Silveria to do a series of ads for them.

Of David's influences he says "There's music that I like to listen to, but when it comes to writing our music, I don't really get influenced by anyone else's music. I get influenced as we write our music. The part comes up and it influences me to think a certain way about the part and about how to go about writing to it."


Metallica Up For Rock and Roll Hall of Fame Induction


With a lot of buzz still going strong after the release of the groups new album “Death Magnetic” (which I actually think is pretty good)…It has been announced that the group is being considered for induction into the Rock and Roll Hall of Fame.

Billboard reports… “Metallica, Run-D.M.C. and the Stooges lead the list of nine acts up for induction next year into the Rock and Roll Hall of Fame. Five will be chosen in January for enshrinement during an April 4 ceremony at Cleveland’s Public Hall.”

The 2009 ceremony will be the first one open to the public since 1997 and will be held in Cleveland, Ohio the home of the Rock and Roll Hall of Fame.

Metallica has made a lot of missteps over the years, specifically “St. Anger” and the snare drum sound that came with it. Regardless, the band is arguably one of the most important metal bands of all time and also one of the most successful. Also, contrary to what most people say about Lars Ulrich’s drumming, he definitely knows his way around a kit and how to perfectly compliment James Hetfield’s rhythm guitar.

courtesy: drumtom

Saturday, April 18, 2009


Alexander Arthur Van Halen was born to Jan and Eugenia van Halen in Amsterdam, The Netherlands on May 8, 1953. Shortly after Edward was born, the van Halen family moved to Nijmegen.

On February 22, 1962, the van Halen family left Holland, after receiving several letters from relatives describing the wonders of California. In their possession were a few suitcases, 75 guilders and a piano. The trip took nine days by boat to New York, followed by another four days by train to California. Some time after their arrival in the United States, they changed their last name from van Halen, to Van Halen.

Alex developed an interest in music as a young boy, and as a grade-schooler in Pasadena, CA, began taking flamenco guitar lessons. At around the same time, Edward had begun playing the drums. But, as fate would have it, Alex lost interest in the guitar and spent more time pounding out the Surfaris' "Wipe Out" on Edward's $125 Japanese-made St. George kit while his younger brother was out delivering newspapers to pay for it, and they soon switched instruments permanently.

Alex graduated from Pasadena High School in 1971 and attended Pasadena City College for a brief period of time, where some of his classes included music theory and scoring and arranging.

Some of Al's early bands, all of which included Edward in the mix, were The Broken Combs (who performed lunchtime concerts at Hamilton Elementary School and featured Alex on saxophone), The Trojan Rubber Company, Genesis, and The Space Brothers. Among his influences are Buddy Rich, Keith Moon, John Bonham and Ginger Baker.

In 1972, Mammoth was formed and featured Alex on drums, Edward on lead vocals and guitar and Mark Stone on bass. By 1974, Mammoth became Van Halen; Stone had been replaced by Michael Anthony and David Lee Roth had taken over as the lead mouthpiece. From here, the quartet paid their dues on the Southern California club circuit, pounding out five sets a night everywhere they could. Be it Gazzari's (the first club to give them a break), the Starwood, the Whisky a GoGo, or Walter Mitty's Rock & Roll Emporium, Van Halen were everywhere, with Al often handling managerial duties, booking gigs and whatnot.

Shortly before the band was signed to Warner Bros. Records in 1977, Alex nearly lost a finger in a machine shop accident.

On February 8, 1978, "Van Halen," was released amid a flourishing disco and punk scene. This watershed album almost single-handedly brought rock and roll back into the forefront and to this day, remains one of the greatest and most powerful recordings of the 20th century to fans, musicians and critics worldwide. 20 years and twelve albums later, Van Halen are still doing things their way. There are no rules and what's trendy doesn't apply. It's music straight from the heart. Always has been, always will be.

Alex's powerful and dynamic drumming style and voice are as unique and instantly recognizable as Edward's guitar sound. The term "brown sound," which is universally linked with Edward's tone was actually coined by Alex and refers to the warmth of his own snare drum sound. But, don't overlook the finesse and sensitivity. He plays what's right for the song. Not to grandstand or just to draw attention to himself. He will however, let loose live in his unaccompanied drum solo. In this instance you've got to expect the unexpected. From lighting his kit on fire during the Van Halen II tour, to the Latinesque version of " Outta Love Again," complete with congas and horns on the III tour, you're always in for a treat.

In addition to the drums, Alex is also an accomplished pianist. The instrumental "Respect the Wind" from the Twister soundtrack features Alex on keys and marks his first and only appearance on a record outside of Van Halen. The piece has a melancholy, classical flavor to it, which isn't surprising due to the fact that Alex had several years of classical piano training as a young boy.

Though he appears ominous, silent and brooding to many (which is further enhanced by his usual all-black garb), Alex has a rapier-sharp wit and a love of practical jokes. In 1986, he shaved his head completely bald as a part of a bet, even appearing on an episode of Night Tracks and in the Hank Williams, Jr. video for "My Name is Bocephus" with his newly shorn dome. A word to the wise: don't ever leave your shoes unattended in his presence. Otherwise you may return to find them nailed to the floor.

Alex will be the first to tell you he's not a rock star. He's a musician. He'll be making music until the day he dies, in one form or another.

courtesy: drummerworld

Trent Reznor


Birth name Michael Trent Reznor
Born May 17, 1965 (1965-05-17) (age 43)
Mercer, Pennsylvania, U.S.
Industrial rock
Industrial metal
Alternative rock

Sound designer
Record producer

Keyboard instrument
Bass guitar
Pan flute

Years active 1982–present
Label(s) Independent
Associated acts Option 30 (1982–1984)
The Innocent (1985)
Exotic Birds (1986–1988)
Lucky Pierre (1988)
Nine Inch Nails (since 1988)
Revolting Cocks
David Bowie
Marilyn Manson
1000 Homo DJs
Saul Williams
Peter Lynch

Early life

Michael Trent Reznor was born in Mercer, Pennsylvania (halfway between Pittsburgh and Erie) to Michael Joseph Reznor and Nancy Lou Clark on May 17, 1965.[4] Reznor was referred to by his middle name to avoid confusion with his father. After his parents divorced, he lived with his grandparents, while his sister Tera lived with their mother.[5] Reznor has acknowledged that his sheltered life in Pennsylvania left him feeling isolated from the outside world. In a 1994 interview with Rolling Stone, he makes reference to his choices in the music industry, as well as elaborating on his early life, stating

I don't know why I want to do these things, other than my desire to escape from Small Town, U.S.A., to dismiss the boundaries, to explore. It isn't a bad place where I grew up, but there was nothing going on but the cornfields. My life experience came from watching movies, watching TV and reading books and looking at magazines. And when your fucking culture comes from watching TV every day, you're bombarded with images of things that seem cool, places that seem interesting, people who have jobs and careers and opportunities. None of that happened where I was. You're almost taught to realize it's not for you.

However, Reznor later said "I don't want to give the impression it was a miserable childhood".[7] At the Mercer Area Junior and Senior High Schools, Reznor learned to play the saxophone and tuba. He was a member of both the jazz and marching band. Former Mercer High School band director Dr. Hendley Hoge remembered Reznor as "very upbeat and friendly."[8] Reznor also became involved in theater while in high school. He was voted "Best in Drama" by classmates for his roles as Judas in Jesus Christ Superstar and Professor Harold Hill in The Music Man. Reznor graduated from this high school in 1983 and enrolled at Allegheny College, where he studied computer engineering

Early musical projects

Reznor (far right) on the cover of Option 30's self-titled album.

While still in high school in Mercer, Reznor was the keyboardist and one of the vocalists in a local band called The Klikz. Playing local clubs and quite a few high school dances throughout the area, The Klikz had a reputation as a talented and fun cover band. The repertoire consisted of the Pop and New Wave music hits of that period in the early 1980s. Playing a host of analog synthesizers, Reznor kept his primary keyboard on a stand he had constructed himself made from a work-mate table and a Lazy Susan that allowed him to rotate the keyboard along with his frenetic dancing and singing. The Klikz disbanded before Reznor went to college.

While he was enrolled in Allegheny College, Reznor joined local band Option 30, playing three shows a week with them. But after only a year of college, Reznor dropped out and moved to Cleveland, Ohio in order to pursue a career in music.[8] In 1985, he joined The Innocent as a keyboardist. They released one album, Livin' in the Street, but Reznor quit after just three months. In 1986, Reznor joined local band Exotic Birds. He also appeared with them as the fictional band "The Problems" in the 1987 film Light of Day.[10]

Reznor got a job at Right Track Studio (now known as Midtown Recording) as an assistant engineer and janitor.[11] Studio owner Bart Koster later commented that Reznor was "so focused in everything he [did]. When that guy waxed the floor, it looked great."[8] Reznor asked Koster for permission to record demos of his own songs for free during unused studio time. Koster agreed, remarking that it cost him "just a little wear on [his] tape heads".[8] While assembling these, the earliest NIN recordings, Reznor was unable to find a band that could articulate his songs as he wanted. Instead, inspired by Prince, he played all the instruments except drums himself.[12] This role remains Reznor's on most of the band's studio recordings, though he has occasionally involved other musicians and assistants. Several labels responded favorably to the demo material, and Reznor signed with TVT Records.[11] Nine selections from the Right Track demos were unofficially released in 1994 as Purest Feeling; many of these songs would appear in revised form on his 1989 debut studio album under the stage name Nine Inch Nails.

Friday, April 17, 2009


Joe Satriani, Chad Smith, Michael Anthony, Sammy Hagar Join Forces For New Group "Chickenfoot"

Four of rock music’s most successful and influential musicians are combining their talents to create the much anticipated rock group Chickenfoot. Guitar hero Joe Satriani, Red Hot Chili Peppers’ drummer Chad Smith, former Van Halen bassist Michael Anthony, and frontman Sammy Hagar’s new project has found the four working side-by-side for the last few months recording their self-titled debut album, Chickenfoot, which will be released in June, 2009.

Long before these four rock icons came together to form Chickenfoot, they already had filled the pages of rock history with enough individual mind-blowing chapters to boggle the mind of any fan or musician alike. Satriani had his own blazing solo career as a much respected guitar virtuoso; Chad Smith is the drummer of world renowned rock band The Red Hot Chili Peppers; and Michael Anthony and Sammy Hagar have been working together since their days as lead bassist and singer, respectively, in Van Halen. These talented individuals were aching to work together in a band that produced rock like they never have before.

The self-titled debut is an 11-track hard rock album that sets a "new standard" for rock music in the new millennium. Produced by Andy Johns (Led Zeppelin, The Rolling Stones) and mixed by Mike Fraser (AC/DC, Metallica), the band is not lacking energy or enthusiasm in this project.

For more information about Chickenfoot and the upcoming self-titled debut album Chickenfoot, please visit

courtesy: moderndrummer

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